Breakdance Project Uganda reaches youth in the slums of Kisenyi, Uganda (photo credit: Nabil Elderkin)

Award-winning film Bouncing Cats, the inspiring documentary of one man’s attempt to create a better life for the children of Uganda through hip hop, is on the festival circuit making its way around North America along with limited sneak peek screenings and benefit events.  Narrated by Common and featuring interviews with Will.I.Am, and K’Naan, the story follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn region that has been called one of the worst places on earth to be a child.*  The film, by director Nabil Elderkin, recently won “Best Documentary Feature Film” at the Urbanworld Film Festival in New York, “Outstanding Achievement in Documentary Filmmaking” at the Newport Beach Film Festival, and “Audience Favorite Award” at Southern Utah International Documentary Film Festival.

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Award-winning film Bouncing Cats is the inspiring documentary of one man’s attempt to create a better life for the children of Uganda through the unlikely tools of hip hop and breakdance. Narrated by Common and featuring interviews with Will.I.Am, and K’Naan, the story follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn country that has been called one of the worst places on earth to be a child.  Poverty, disease, and a brutal, mindless war in the region have divided families, displaced millions and led to the abduction and mutilation of tens of thousands of children resulting in the deterioration of identity and culture. Read the rest of this entry »

Gustavo Venegas – “Bullethead”

Beacon Arts, a brand-new “arts laboratory” featuring innovative exhibitions in Inglewood, CA, kicks things off with its inaugural exhibition, Ghost Stories: Happenings, Hauntings, & Curiosities, running from Thursday, October 14 through Sunday, November 7, 2010.  Curated by art writer Shana Nys Dambrot, the show is the first in the art space’s Critics-as-Curators series.  Additional Ghost Stories-related events are planned including an interdisciplinary Halloween extravaganza on the evening of Friday, October 29th and a daytime Pagan Arts Camp (for adults) on Saturday October 30th, with a closing reception/panel discussion on Sunday, November 7, 2010. The Reverend Ethan Acres, whose ministry is dedicated to the expression of religious ecstasy through irrational and absurdist behavior, has signed on as resident “spirit advisor” for the gallery’s first exhibition. His Ghost Stories‘ performances will be his first locally in years.  Beacon Arts provides innovative arts programming and resources to enrich the cultural landscape of Los Angeles with contemporary fine art by a new generation of adventurous Southern California artists.  Renée Fox, known for her success organizing the rapidly growing Inglewood Open Studios, develops and directs creative programming for the Beacon Arts Building.

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ARC Pasadena hosts Colin Connor: Draftwork, new choreographic explorations created by award-winning choreographer Colin Connor on Sunday, September 12, 2010. Connor’s work, which he has presented across the Americas and Europe, is acclaimed for its rich musicality and physical excitement.  This is a unique Los Angeles area opportunity to see the beginnings of new work by Connor in collaboration with four glorious dancers: Katie Diamond, Robin Wilson, Cameron Evans, and Andrew Wojtal. The showing is the culmination of a two-week intensive experimental creative period in the studio, generously provided by ARC Pasadena. The single performance will be held Sunday evening from 6:00 – 7:30 p.m. in ARC’s gorgeous new dance space.  The performance is free.  Space is limited – guests are encouraged to arrive early to secure a seat.  Light refreshments will follow the showing.

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"War Machine" photo credit: Michael Tullberg

After seven years in development, non-profit organization Overtone Industries is set to launch their site-specific theatricale, Songs and Dances of Imaginary Lands, with three weekends of performances opening Thursday, July 8, 2010.  Billed as a contemporary opera, the large-scale, genre-bending production integrates an astounding array of innovative art installation, dance, voice, live and recorded music, projected video, costuming, community participation, and theater. Songs and Dances of Imaginary Lands was developed and cultivated by Director O-Lan Jones in an extensive guided collaboration that involves twenty one librettists, eleven composers, Costume and Scenic Designer Snezana Petrovic, Musical Director David O, Instrument Inventor Bart Hopkin, Choreographer Nina Winthrop, twenty performers, a nine-piece live orchestra, dozens of crew members, scores of community volunteers, and many others.

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Overtone Industries is engaged in a massive community arts project, currently underway, to create props and costumes from recycled materials for their July site-specific contemporary opera, Songs and Dances of Imaginary Lands directed by O-Lan Jones. In May and June, creative volunteers are invited to Overtone’s “Songs & Dances Craftacular Weekend Workshops,” a series of free public art workshops where donated recyclables are being transformed into sets and costumes for the innovative music theater production. Overtone Industries is looking for crafters, artists, knitters, and the general public of all ages to collaborate on the project by participating in the art-making process via the community workshops. Workshops are being held Saturdays and Sundays, 12:30 p.m. to 4:30 p.m., through June 20, 2010 at the Songs & Dances Warehouse, 8840 Washington Street, Culver City, CA 90232.

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image from "North Horizon" by Thomas Freundlich and Valterri Raekallio

Dance Camera West (DCW), recognized internationally for its month-long presentation and celebration of dance on screen, announces the programming for its ninth annual Dance Media Film Festival screening at venues throughout Southern California in June 2010.  Dance on screen, or “screendance,” is a unique cinematic experience that focuses on the intersection of cinematography and choreography.  The festival includes this as well as all forms of dance media.  “The hybrid screendance medium is diverse, encompassing a broad range of cinematic styles, exhibition formats, and subject matters traversing global perspectives,” says Dance Camera West founder and director, Lynette Kessler… Read the rest of this entry »

Illustration by Snezana Petrovic

After seven years in development, non-profit organization Overtone Industries is set to launch their site-specific theatricale Songs and Dances of Imaginary Lands, with two weeks of performances opening Thursday, July 8, 2010.  Billed as a contemporary opera, the genre-bending production integrates art installation, dance, voice, live and recorded music, projected video, costuming, community participation, and theater.   Songs and Dances of Imaginary Lands was conceptualized by Director O-Lan Jones in an extensive collaboration that involves twenty one librettists, eleven composers, Costume and Scenic Designer Snezana Petrovic, Musical Director David O, and many others. Read the rest of this entry »

Photo Credit: Helena Ruffin

Legendary interdisciplinary artist Rachel Rosenthal is set to introduce the world to her new improvisational theater group, TOHUBOHU! Extreme Theater Ensemble, with monthly performances starting the weekend of February 19, 2010. The name, loosely translated, means “collision or chaos” which Rosenthal describes as not what the Company does, but the process they go through to do what they do. Each monthly performance will span three nights during one weekend. All performance begin at 8:30pm. Tickets cost $20. Reservations are necessary to insure seats… Read the rest of this entry »