Overtone Industries is currently presenting The Spontaneous Combustion Choir World Tour of Los Angeles, a series of performances by the Spontaneous Combustion Choir for Los Angeles audiences, which started in January and runs into March 2015. In addition to performing, the choir will engage audiences in the collaborative creation of spontaneous music. The Spontaneous Combustion Choir is a catalyst for instant improvised chorale music. Conducted by O-Lan Jones, the group’s singing method builds harmonic chords, weaves melodies, and integrates rhythms, with singers who incorporate basic vowel sounds and no words; resulting in instant, cohesive, a cappella chorale music.

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The Society for the Activation of Social Space through Art and Sound (SASSAS) presents sound. at the Baldwin Hills Scenic Overlook: MURAL, featuring internationally recognized experimental duo Jim Denley (Australia) and Kim Myhr (Norway) on Sunday, May 5, 2013.  MURAL’s site specific work will be inspired by the Overlook – the site itself will dictate the trajectory of the musical structures created in the space.  Accompanying MURAL in realizing this new SASSAS commission will be eight Los Angeles area musicians including Matt Barbier, Ted Byrnes, Archie Carey, Claire Chenette, and Daniel Corral.  The free concert begins at 5:00pm, ending right before sunset. Read the rest of this entry »

The Society for the Activation of Social Space through Art and Sound (SASSAS) presents Fix-It-Up Too, a one-day exhibition and silent auction on Saturday, September 15, 2012 at Blum & Poe in Culver City.  Fix-It-Up Too reprises The Fix-It-Up Show, a project first developed by artists Jeffrey Vallance and Michael Uhlenkott for a 1981 exhibition at Los Angeles Contemporary Exhibitions (LACE) in which well-known artists were asked to contribute works for Vallance and Uhlenkott to alter or “fix.”  Both artists have given SASSAS their blessing to recreate The Fix-It-Up Show as a fundraiser and will also reprise their roles as “fixers.” Nine other internationally recognized artists including Barbara Bloom, Meg Cranston, Lisa Lapinski, Dave Muller, Stephen Prina, Jim Shaw, Alexis Smith, Mungo Thomson, and Christopher Williams have also agreed to alter the works of more than 100 artists for this special exhibition and sale.

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Nonprofit organization Overtone Industries presents the world premiere of its new opera The Woman in the Wall, with two weekends of performances opening Friday, March 23, 2012 at the Masonic Lodge in Culver City.  Reuniting the award-winning Overtone creative team of the critically-acclaimed 2010 Songs & Dances of Imaginary Lands, The Woman in the Wall is an operatic work by Composer O-Lan Jones and Librettist Kathleen Cramer, conducted by David O, and produced by Vibrant Production Management.  Inspired by the 14th Century tradition of The Anchoress, the opera is a “mystery play” in the ancient tradition; it explores the openings and paths inside that are revealed when all doors are locked shut.  For more information, please see http://www.overtoneindustries.org and https://www.facebook.com/overtoneindustries

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Award-winning photographer Sam Comen’s first solo exhibition, 28 at 28, premieres with an installation of over 100 works at Culver City’s NextSpace starting on Saturday, October 22, 2011.  28 at 28 is a serial portraiture study that captures the evolving lives of Comen’s peer group in a crisp, saturated style.  Comen unveils the first three years of this new body of work at a free public reception on October 22, 2011 from 6:00 to 9:00pm – on his 31st birthday. The choice of this date to debut the ongoing project calls attention to time’s passage, the integral throughline in 28 at 28. The two-story atrium of NextSpace will be transformed into a larger-than life timeline of Comen’s subjects in a taxonomic display of environmental and studio photographs. Beverages will be provided by Crispin Cider. The exhibition will run for three months through Sunday, January 22, 2012.

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William Roper (Photo courtesy SASSAS)

The Society for the Activation of Social Space through Art and Sound (SASSAS) concludes its series of summer events with sound. at the Baldwin Hills Scenic Overlook: Alex Cline, Lady Noise and William Roper on Sunday, October 16, 2011. The concert features new compositions by percussionist Alex Cline, experimental collective Lady Noise and brass specialist William Roper. These new SASSAS commissions will be played by more than 30 Los Angeles area musicians arrayed in different locations across the historic topography of the Overlook. The concert begins at 3:00pm at the apex of the Overlook and concludes 90 minutes later in the Safine Rabines-designed pavilion next to the park visitor center. The event is free. Street parking is available along Jefferson Blvd., but come prepared for a steep climb up the Overlook stairs. Parking at the top of the hill is $6.00. Baldwin Hills Scenic Overlook is located at 6300 Hetzler Road, Culver City, CA 90232.

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Los Angeles, CA – Humanitarian organization NextAid presents its second annual World AIDS Day campaign fundraising event at LA’s top “green” event location, Marrakesh House. Entitled SOUND>EFFECT and taking place on Saturday December 11, 2010  from 5:00pm – midnight, NextAid and partners will create an unforgettable evening of music, dancing and art.  NextAid joins forces with like-minded organizations Family Affair, HearME, Green Wave and Africa10 at film director Chris Paine’s noted sustainably remodeled home located on a scenic hillside in Culver City (private address, parking info revealed upon ticket purchase).

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Royal/T piano painted by Kenny Scharf (photo credit: Amanda Brooks)

Royal/T, the playful art space, shop and café, is expanding its nighttime offerings with live entertainment, a new art cabaret space, tapas and other culinary treats, and extravagant special events — fusing popular culture, music, film, and contemporary art into a creative Westside lounge environment.  Set in Royal/T’s back gallery space, Nighttime at Royal/T‘s mission is to provide high quality eclectic programming in art-full, high-style surroundings filled with owner Susan Hancock‘s world-class contemporary art collection.  The space will be open every Wednesday, Thursday as well as selected additional nights, featuring cabaret acts and eclectic music performances. Cabaret nights are free and run from 6:00 p.m. to 11:00 p.m. Cover charge for most other events range from $5 to $20.  Royal/T will also continue to offer special evening events featuring films, DJ sets, art performances, and theme parties.  Nighttime at Royal/T events will feature French-Japanese fusion tapas except when a guest chef reigns in the kitchen.

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Nonlife Zoo Photo Courtesy Royal/T

Angelenos are invited to dress like their favorite zoo animals and explore their wild sides at Royal/T‘s A Night in the Jungle on Friday, August 6, 2010 from 8:00pm to 1:00am in celebration of The Nonlife Zoo‘s pop-up space residency – an imaginary visual of animal existence on earth. A Night in the Jungle will feature international music maestro DJ Daedelus spinning in the back space as partygoers dance the night away and enjoy Royal/T’s signature soju cocktails, beer, wine, and new vegetarian tapas. If any guest needs a break from dancing, owner Susan Hancock will provide animal card energy readings and rides throughout the space will be available courtesy of artist Kenny Scharf‘s Cartz Royale. The Nonlife Zoo residency, presented by Royal/T in conjunction with MollaSpace, raises awareness and funds for animal preservation.

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"War Machine" photo credit: Michael Tullberg

After seven years in development, non-profit organization Overtone Industries is set to launch their site-specific theatricale, Songs and Dances of Imaginary Lands, with three weekends of performances opening Thursday, July 8, 2010.  Billed as a contemporary opera, the large-scale, genre-bending production integrates an astounding array of innovative art installation, dance, voice, live and recorded music, projected video, costuming, community participation, and theater. Songs and Dances of Imaginary Lands was developed and cultivated by Director O-Lan Jones in an extensive guided collaboration that involves twenty one librettists, eleven composers, Costume and Scenic Designer Snezana Petrovic, Musical Director David O, Instrument Inventor Bart Hopkin, Choreographer Nina Winthrop, twenty performers, a nine-piece live orchestra, dozens of crew members, scores of community volunteers, and many others.

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